Posted on November 14, 2012 by Washington Jewish Film Festival
When I first discovered Polish Poster design some five or six years ago, I wasn’t sure that what I was seeing was to be believed. There’s a certain tendency to be skeptical of things you find on the Internet, and here was a collection of Polish Posters – most of which were menacing and ambiguous in equal measure – created to market movies as different as Blow-Up and Weekend at Bernie’s. Perhaps, in their time, these posters were nothing more than a minor curiosity, destined to be rediscovered by the Tumblr set.
Actually, the Polish Poster movement represented one of the most important graphic design developments in the 20th Century, and in their hay day, these works were as visible as any poster created for a summer blockbuster today.
So how did the Polish School of Poster come about? In 1945, Nazis destroyed most of Warsaw during their retreat, leaving nearly 80% of the city in ruin. The rebuilding effort resulted in fenced-in construction sites all over the city – in effect creating a city-wide gallery tailor made for hanging poster art. There was also a backlog of American and Foreign films waiting to be seen in Poland, all of which required accompanying promotional materials created in Polish. With virtually no Polish art market to speak of, artists turned to the only game in town, poster design.
Below is a selection of Polish Film Posters, including a poster for Agnieszka Holland’s Europa Europa. We will welcome Holland to the DCJCC on November 30 for a screening of Europa Europa and a discussion with Aviva Kempner.
You can read more about Polish Poster Art at Adrian Curry’s Movie Poster of the Week blog, which informed much of this blog post.
Tootsie Europa Europa
Rosemary’s Baby Sunset Boulevard
Blow-Up Weekend at Bernie’s
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Posted on October 9, 2012 by Washington Jewish Film Festival
Filmmaker Yariv Mozer and the Long Road to Tel Aviv
By Juliet Burch, Washington Jewish Film Festival Coordinator
Most of the time in the WJFF film office we work really hard, producing furrowed brows and beads of sweat with every film program we put on. There are phone calls and emails and negotiations and usually one more phone call. But sometimes we don’t do anything at all and something great falls in our lap. Enter The Embassy of Israel and Yariv Mozer.
The phone rang a week ago and The Embassy asked if we’d like to host filmmaker Yariv Mozer and his new film, The Invisible Men for free. The answer to this question was: YES. Within four hours everything was arranged and, with the immense support and cosponsorship of GLOE , we were scheduled to host an amazing FREE program.
The Invisible Men is about three gay Palestinians who make their way to Tel Aviv to escape persecution and danger, but life in Tel Aviv has its own challenges. To wet your appetite and my own, I found two interesting interviews with Yariv. Here is an excerpt from an interview by Scott Krane published last June in The Times of Israel:
“My interest in people like Louie (one of the film’s three protagonists) began long before I met him. I had always been intrigued by the lives of gay Palestinian men who live kilometers from Tel Aviv, isolated by security fences, checkpoints, and their deeply religious society. However, the political reality of the Occupation never allowed me to meet such men… In 2008, I read ‘Nowhere to Run: Gay Palestinian Asylum-Seekers in Israel,’ a report published by two lawyers from the Tel Aviv University Human Rights Clinic. Their research includes the testimonies of gay Palestinians who had escaped to Tel Aviv… I cried as I read the report again and again. For the first time I learned that there were gay men in Tel Aviv.”
If you’d like to read the complete interview, here is the link:
My old friend Stuart Hands from the Toronto Jewish Film Festival also interviewed Yariv in 2009 about his film, MY FIRST WAR (it won Best Film there that year). http://tjff09.blogspot.com/2009/05/interview-with-yariv-mozer-director-of.html
Simply put, Yariv’s films are fascinating and he speaks about his subjects with great insight. I’m right: sometimes something great just falls in your lap. Many thanks to the Embassy. I hope you can join us in welcoming Yariv Mozer Sunday October 14, 4pm. For information about the program and how to be a part of it click here.
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Posted on September 11, 2012 by Washington Jewish Film Festival
There are about 730 Samaritans remaining in the world today. LONE SAMARITAN offers a rare look at the community and its traditions while looking at the broader issues of identity and conflict and the cost of assimilation. Take a look at this beautiful scene from the film.
The WJFF is co-sponsoring a screening at the All Roads Film Festival at The National Geographic’s Grosvenor Auditorium on Sept. 30
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Posted on February 14, 2012 by Washington Jewish Film Festival
36 years after Black History Week expanded to a month, Shukree Hassan Tilghman asks the provocative question, “Do we need Black History Month?” In his film, More Than a Month, Tilghman examines how Black History Month has evolved and brings into question how we teach history in this country. What is the role of Black history in the greater scope of American history? By designating a month, do we time-bound and limit the attention we give to Black history in America? Who does Black history belong to? This film offers a great opportunity to see how these interesting issues are being addressed within the African American community, and in the nation as a whole.
More Than a Month will screen at the DCJCC on February 26 as part of our Community Cinema Café series in partnership with the Independent Television Service (ITVS) and PBS’s Independent Lens.
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Posted on October 11, 2011 by Washington Jewish Film Festival
Ben Loeterman’s riveting documentary about
one of the most vexing criminal cases in history
The New York Times calls the film, “mesmerizingly recreated and explored” in a way that “even those already familiar with this piece of history are likely to find unsettling.” Set against the backdrop of an American South struggling to shed its legacy of bigotry and xenophobia, the film is both a first-rate murder mystery and an insightful look at racial, religious, regional and class prejudices in the early years of the 20th century. Starring Will Janowitz (The Sopranos) and Seth Gilliam (The Wire).
October 18 at 7:30 at the Washington DCJCC. More information here.
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