Polish Poster Design

When I first discovered Polish Poster design some five or six years ago, I wasn’t sure that what I was seeing was to be believed. There’s a certain tendency to be skeptical of things you find on the Internet, and here was a collection of Polish Posters – most of which were menacing and ambiguous in equal measure – created to market movies as different as Blow-Up and Weekend at Bernie’s. Perhaps, in their time, these posters were nothing more than a minor curiosity, destined to be rediscovered by the Tumblr set.

Actually, the Polish Poster movement represented one of the most important graphic design developments in the 20th Century, and in their hay day, these works were as visible as any poster created for a summer blockbuster today.

So how did the Polish School of Poster come about?  In 1945, Nazis destroyed most of Warsaw during their retreat, leaving nearly 80% of the city in ruin. The rebuilding effort resulted in fenced-in construction sites all over the city – in effect creating a city-wide gallery tailor made for hanging poster art. There was also a backlog of American and Foreign films waiting to be seen in Poland, all of which required accompanying promotional materials created in Polish. With virtually no Polish art market to speak of, artists turned to the only game in town, poster design.

Below is a selection of Polish Film Posters, including a poster for Agnieszka Holland’s Europa Europa. We will welcome Holland to the DCJCC on November 30 for a screening of Europa Europa and a discussion with Aviva Kempner.

You can read more about Polish Poster Art at Adrian Curry’s Movie Poster of the Week blog, which informed much of this blog post.

  Tootsie                                                           Europa Europa

 

Rosemary’s Baby                                        Sunset Boulevard

 

Blow-Up                                                        Weekend at Bernie’s

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The Lonely Life of the Lone Samaritan

There are about 730 Samaritans remaining in the world today.  LONE SAMARITAN offers a rare look at the community and its traditions while looking at the broader issues of identity and conflict and the cost of assimilation.  Take a look at this beautiful scene from the film.

The WJFF is co-sponsoring a screening at the All Roads Film Festival at The National Geographic’s Grosvenor Auditorium on Sept. 30

Do We Need Black History Month?

36 years after Black History Week expanded to a month, Shukree Hassan Tilghman asks the provocative question, “Do we need Black History Month?”  In his film, More Than a Month, Tilghman examines how Black History Month has evolved and brings into question how we teach history in this country.  What is the role of Black history in the greater scope of American history?  By designating a month, do we time-bound and limit the attention we give to Black history in America?  Who does Black history belong to?  This film offers a great opportunity to see how these interesting issues are being addressed within the African American community, and in the nation as a whole.

More Than a Month will screen at the DCJCC on February 26 as part of our Community Cinema Café series in partnership with the Independent Television Service (ITVS) and PBS’s Independent Lens.

On SOPA

black squareToday, many of the biggest sites on the Internet are “blacking out” to protest SOPA (Stop Online Piracy Act, a bill in the House) and PIPA (Protect IP Act) in the Senate.

The protest is based around the idea that online piracy is certainly a problem that needs to be addressed, but that these bills won’t actually impact the pirate websites, and instead only hurt everyone else, through censorship.

We use this space to share what we think is interesting and thought-provoking and entertaining. Sometimes we want to share the latest music from upcoming performers at Music Fest, present trailers from the hot new film we’ll screen, and show you that hilarious bit from our favorite comedian. On this blog and our website, we make every attempt to use creative content respectfully, legally, and with permission/attribution.

We love artists, and want you to love them, too! We wonder about all the wonderful ideas, work and performances we’ll be too afraid to share.

We hope you will take today to think about the ways you use the Internet, what sites you use and enjoy, and learn about this legislation.

From one film festival to the next!

The Washington Jewish Film Festival was really special this year! Our wonderful audiences, filmmakers, sponsors…everyone came together to enjoy 11 days of some of the best independent film from all over the world. Check our website wjff.org for photos and information about our audience award winners.

But we’re not satisfied resting on our past success (or getting too much sleep).  Nope, not when we can be part of presenting another film festival just six weeks after the WJFF ended.  So that’s what is happening on February 1 when we open the first ever DC-MD-VA ReelAbilities Disabilities Film Festival. Our regional festival is one of the first that is part of the roll out of the national ReelAbilities festival, happening for the fourth year in New York later in February.

Our opening night film, Warrior Champions, profiles four Iraq War veterans who returned home with life-changing injuries that they strive to turn into Olympic dreams.  These people are inspiring and will make you want to get up off the couch or leave your computer and go make the most of the body you have!  The evening at the beautiful Avalon Theater starts at 6:30 with hors d’oeuvres followed at 7:30 by the film and a keynote speech by the very accomplished advocate for the disabled, Richard Bernstein, himself blind since birth and a marathon runner!  Here is a trailer from the film.

The festival runs until February 9, and I’m delighted to say it’s a joint effort on the part of our DCJCC along with the JCCs of Greater Washington and Northern Virginia.  Together, we are bringing ReelAbilities excellent films, programs and discussions to your neighborhood, so check our schedule, film trailers and get tickets atgreaterdc.reelabilities.org.

Some people have asked me what’s “Jewish” about the ReelAbilities festival.  It’s true that only one film, Praying with Lior, has what we would call “Jewish content,” but for me, this festival really brings home both Jewish values and some of the best reasons why JCCs are valuable institutions.  ReelAbilities is  about inclusion for everyone in our regional community and promoting awareness and appreciation of the lives, stories and artistic expressions of people with different disabilities.  It’s about providing opportunities for various communities to come together as one to explore, discuss and celebrate the diversity of our shared human experience.

And, in the end, the truth is that these are really good films, too.  So come to be entertained and to learn, communicate, share and feel good…just come and check out our first ReelAbilities Disabilities Film Festival.  See you at the movies!

Film Trailer: The Rescuers

From the desk of Susan Barocas, Director of the Washington Jewish Film Festival

We’ve been working ‘round the clock on the great programming for this year’s Washington Jewish Film Festival. I’m so excited that Opening Night is only a few days away! One of the programs I’m thinking about a lot is THE RESCUERS on Saturday Dec. 3 at 6:15 screening here at the DCJCC. We are looking forward to having with us Stephanie Nyombayire, an extraordinary young anti-genocide activist from Rwanda. The film follows her and historian Sir Martin Gilbert as they explore some of the extraordinary acts of goodness that occurred in the face of the Nazi Death camps, and what can be done to deter future genocides. The film is so inspiring, and is an excellent introduction to this difficult subject for young people (11 and up). I highly recommend it!  Here’s the trailer:

Film trailer: The People v Leo Frank

Ben Loeterman’s riveting documentary about
one of the most vexing criminal cases in history

The New York Times calls the film, “mesmerizingly recreated and explored” in a way that “even those already familiar with this piece of history are likely to find unsettling.”  Set against the backdrop of an American South struggling to shed its legacy of bigotry and xenophobia, the film is both a first-rate murder mystery and an insightful look at racial, religious, regional and class prejudices in the early years of the 20th century. Starring Will Janowitz (The Sopranos) and Seth Gilliam (The Wire).

October 18 at 7:30 at the Washington DCJCC.  More information here.

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